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“物哀”作为日本传统文化底色及主要审美理念之一,在当代日本不同的文艺形式中仍然有着重要的表现。当代日本城市摄影异军突起,流派纷呈,标新立异,独立创新,同时又显示出对传统审美情趣和文化理念的坚守,形成富有视觉冲击力的当代艺术表现形式,在亚洲乃至世界摄影发展史上都占有重要地位。本文选择最具国际影响力的当代日本摄影家的佳作,分析镜头视线中的审美意识,触摸作者丰富而细腻的内心情感,辨析隐藏于摄影画面背后的“物哀”情结,以及时隐时现的“守真”、“幽玄”、“禅悟”、“空寂”等日本传统审美观念,进而探讨战后日本摄影艺术的审美特质。
As one of the traditional background and main aesthetic ideas of Japan, “物 哀” still has an important performance in the different forms of literature and art in contemporary Japan. Contemporary urban photography in China is characterized by splendid appearances, various genres, unconventional innovation and independent innovation. At the same time, it shows its adherence to the traditional aesthetic taste and cultural ideas and the formation of a visually striking contemporary art expression which plays an important role in the history of photography in Asia and the world. . This article chooses the most influential contemporary Japanese photographer’s masterpiece, analyzes the aesthetic consciousness in the line of sight, touches on the rich and delicate inner feelings of the author, discriminates the complex relationship of “sorrow” hidden behind the photography picture, The traditional Japanese aesthetic conceptions such as “Shou Shin”, “You Xuan”, “Zen Wu” and “Nong Qu” were explored in time to explore the aesthetic qualities of post-war Japanese photography.