林鸿被明清批评界视为明初复古的先声,并将后来台阁体“鸣盛”的观念亦归于林鸿的开创。本文通过对林鸿诗歌作品的解读与其诗学观念的探讨,认为上述说法乃是当时一部分诗人的理想和后来诗论家的误读。林鸿尽管有一部分作品有追求盛唐诗风及鸣国家之盛的倾向,但实际上作为闽中诗派的代表,他更多表现出的是隐逸的人生态度与超然冲淡的诗风,并沾染有元代末期诗坛上秾丽哀婉的风气。研究古代作家的诗歌创作,理应认真解读原著并与当时的历史语镜相结合,而不能听信后来某些批评家带有主观偏见的结论。 Lin Hong was regarded as the forerunner of the early Ming Dynasty by critics in the Ming and Qing Dynasties and Lin Hong’s concept of “Ming Sheng” was later attributed to Lin Hong. Through the study of Lin Hong’s poetry works and his poetic ideas, this article argues that this view is a part of the ideal of the poets at that time and later misunderstood by the poet theorists. Although some works of Lin Hong tended to pursue the poetic style of the prosperous Tang Dynasty and the prosperity of the country, in fact, as a representative of the Fujian-Fujian poetic school, he showed more of a secluded attitude to life and a detached poetic style that was contaminated with Poetry in the late Yuan Dynasty Lai Lai Wan temperament. Studying the poetic creation of ancient writers should carefully interpret the original text and integrate it with the historical language of the time, and can not hear the conclusion that some critics later took subjective prejudice.