“科学的歌唱发声法”是我国声乐界长期风行的概念,常用于定义西洋美声唱法歌唱发声体系。然而,该概念本身明显存在着对声乐学科理论和艺术实践的认知误区,表现为对嗓音歌唱理论及唱法机制规律的误读,同时也体现了对其他唱法艺术风格的歧视。而实际上,人类歌唱所追求的多元审美意趣,及由此形成的诸多形式、风格迥异的唱法,皆以多元歌唱审美实践及其艺术规律为基础,而歌唱科学对流派唱法的研究迄今为止依然仅只停留在对特定唱法机理检验和印证其合理性的求证层面,并未对声乐演唱的演进构成实质的推动和影响,所以说以“科学”定义“唱法”是一个明显的错误。 “Scientific singing voice ” is the long-popular concept of vocal music in China, commonly used in the definition of Western singing voice singing system. However, the concept obviously has cognitive misunderstandings on vocal music theory and artistic practice. It manifests itself in the misunderstanding of the vocal singing theory and the law of singing mechanism, and at the same time, it reflects the discrimination of other singing art styles. In fact, the diverse aesthetic tastes pursued by human singing, and the various forms and styles of singing that are singled out by human singing are all based on the aesthetic practice of pluralistic singing and the law of its art. However, the study of the singing school’s singing genre has so far remained Only staying on the verification of certain singing mechanism and verifying its rationality does not constitute a substantial impetus and influence on the evolution of vocal music. Therefore, it is an obvious error to define “singing” with “science” .