第一次听说可可西里是从陆川导演的同名电影那儿听到的,那是一部关于人、藏羚羊与可可西里的故事。当我看完后,心里犹如一片白色画布,驻留了一笔灰色的阴影,久久不能散去,就好像影片结尾时记者看着日泰被杀,在风雪中渐渐隐去一般。那是巡山队最后的影子,也是可可西里的一抹“阴影”。也许受到影片的影响,最初设计“藏羚羊”主题公共雕塑时,我似乎总是要赋予作品更多的意义,好像这样才能表达 For the first time I heard that Hoh Xil heard from the film of the same name directed by Lu Chuan, a story about people, Tibetan antelopes and Hoh Xil. When I read, my heart is like a white canvas, residing in a gray shade, a long time can not be dispersed, just as the end of the film reporter looked at Japan and Thailand were killed in the snow gradually disappear in general. That was the final shadow of the Mountaineering Team and a touch of “shadow” by Hoh Xil. Perhaps influenced by the film, when I initially designed the public sculpture “Tibetan antelope”, I always seemed to give the works more meaning, as if to express