中国现存的传世漆品寥寥,尤以明以前的传世资料为少,这种缺憾无可讳言制约了以传世品为基础的传统漆器研究;同时也因缺少比较对象,使考古学研究中的关于出土宋元漆器的探讨一直缺乏系统体系的建构。与之相对,日本保存了大量中国古代的传世漆器,其中属于宋元时期的可信资料数量可观,尤其是较为丰富的元代戗金和螺钿漆品,弥补了中国元代同类文物的匮缺。遗憾的是,以往研究关注有限,导致这批中国传世漆器的整体情况至今尚不明晰,而学术界针对这批资料的研究也未能全面开展。本文拟对日本传世宋元漆器作一综合研究,以日本现藏沿革有据、来历可靠的宋 There are only a handful of traditional Chinese lacquer wares passed on in the past, especially the few materials handed down before the Ming dynasty. This regrettably restricts the traditional lacquer ware based on the handed down goods. At the same time, due to the lack of comparative objects, The research on the lacquer ware unearthed in Song and Yuan dynasties has been lacking in the construction of systematic system. In contrast, Japan preserved a large number of ancient Chinese lacquer wares handed down. Among them, the amount of credible materials belonging to the Song and Yuan Dynasties was considerable. In particular, the relatively rich gold and snail paint from the Yuan Dynasty made up for the lack of similar cultural relics in the Yuan Dynasty in China. Unfortunately, the limited attention paid to the research in the past has led to the fact that the overall status of these lacquer wares in China has not been clear yet, and the academic research on these materials has not been carried out in an all-round way. This article intends to make a comprehensive study of the Song and Yuan Dynasty lacquer ware handed down to Japan,