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新中国成立六十余年以来,我国文化艺术发展呈现着万象更新的面貌,国家越来越重视文化艺术行业在体制、管理、人才培养等多方面的和谐共建。几十年来,国家在戏曲艺术领域产生了一大批功勋卓著的艺术家及戏曲理论家。这些前辈在坚持自己工作岗位的同时,更为国家的戏曲理论研究培养着一批又一批的青年生力军。为了给青年学者提供一个更好的发展与交流平台,由中国艺术研究院研究生院主办、中国艺术研究院研究生院戏剧戏
Since the founding of new China, more than 60 years ago, the development of culture and the arts in our country has been characterized by the renewal of Vientiane. The state attaches more and more importance to the harmonious co-construction of arts and culture in various aspects such as system, management and personnel training. For decades, the state has produced a large number of prominent artists and opera theorists in the field of opera art. While adhering to their own jobs, these predecessors have trained a batch of young students and young men in batches after another in the theory of Chinese opera theory. In order to provide a better platform for the development and exchange of young scholars, hosted by the Graduate School of Chinese Academy of Arts, Graduate School of Chinese Academy of Arts drama