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拓片是一项古老的技艺,从中国有文字和图画起,拓片就应运而生。南朝梁虞和著《论书表》有“拓书悉用薄纸”之句;《隋书·经籍志》有“其相承传拓之本,犹在秘府”的记载。长期以来,拓片的发展在地域上,可分南、北两派,南派细腻,追求精准;北派豪放,讲究架构。各派之中又因当地文物材质的不同,产生了以拓碑为主的陕西派,以拓砖瓦吉金为主的京津派,以拓摩崖为主的齐鲁派和以拓画像石为主的苏皖派。诸派各有所长,散发着独特魅力。
Rubbings are an ancient technique, and rubbings are created from the texts and drawings in China. Southern Liang Yu and the “book” have “extension book with tissue” sentence; “Sui Shu Jingji Zhi” has “its share of the extension of the original, still in the secret government ” records. For a long time, the development of rubbings in the region, can be divided into South and North factions, the South sent exquisite, the pursuit of precision; North faction bold, pay attention to the structure. Due to the different cultural relics of the local factions, there were the Shaanxi School, which is dominated by extension tablet, the Beijing-Tianjin school with Tuobujijin as its mainstay, The main Su Wan faction. The factions have their own strengths, exudes a unique charm.