文通过研究《父亲进城》的电视剧改编,从四方面提出了自己的见解:第一,根据小说与电视剧的一般性质和定位,指出《父亲进城》与《激情燃烧的岁月》之间的关系更多是彼此并行、相对独立的互文关系,而非一般性的因果衍生关系;第二,认为改编本的图像叙事具有双重的结构性内蕴,编剧据此编织了多重矛盾线索,借此展示了其对于生活的高超体悟以及表现的技巧;第三,对改编本在思想主题、人物性格、情感倾向、命运结局以及叙事技巧等不同方面对原作的颠覆式处理做出了较为深入的论析,认为它的成功,主要就在于其图像叙事精于了解生活与艺术的辩证法之堂奥;第四,结合文本解析了制约电视剧改编的几个主要因素。 By studying the adaptation of “father into the city”, this paper puts forward his own opinions from four aspects: First, according to the general nature and orientation of novels and TV series, it points out that between “father going into town” and “passion burning time” The relationship is more parallel, relatively independent intertextual relationship, rather than the general cause-and-effect derivative relationship; secondly, that the image of the reorganized book has a dual structural connotation, the screenplay woven multiple contradictions clue This shows his superb comprehension of life as well as his performance skills. Thirdly, he made a deep and profound review of the subversion of the original works in different aspects such as theme, character, emotional orientation, fate and narrative skills On the other hand, the author believes that its success lies mainly in the fact that its narrative narrative focuses on understanding the dialectics of life and art. Fourthly, it analyzes several major factors that restrict the adaptation of the drama based on the text.