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作为拥有一定生理或心理特殊性的人群,“傻瓜”形象在文学创作中一直处于非常特殊的地位。在他们身上,往往折射出掩盖在表层之下的不为人知的另一番场景。他们或是懵懂无知,或是我行我素,或是大智若愚,这一切总是与世俗格格不入,他们以一个独立于尘世之外的形象为我们呈现了更加多角度多元化的世界。中外文学中的傻瓜形象不胜枚举,他们通常依托于一个相对封闭的地域空间,空间内外的封闭与开放恰好也体现出傻瓜人群与一般人群和世俗社会之间相隔的千山万水。
As a group of people with certain physiological or psychological specialties, the image of “fool” has always been in a very special position in literary creation. On them, they often reflect the unknown scene covered under the surface. They are either ignorant, ignorant, or mentally ill-feminized. All this is always incompatible with the secular world. They present us with a more multi-angle and diverse world with an image independent of the earthly world. Chinese and foreign literary fools numerous images, they usually rely on a relatively closed geographical space, both inside and outside the closed and open space just reflects the distance between the fool population and the general population and secular society.