论文部分内容阅读
问题的提出 既然提出“回归”,就必须有“迷失”的东西。每一种历久而未朽的艺术门类——诸如表演艺术——都有先贤智慧的结晶,亦有当下每一位执着于艺术追求的艺术家继往开来的推进与创新。表演艺术就在这样的情况下走进现代的语境,而现代文明给它带来的影响又是无法估量的。表演艺术作为一种古老的艺术门类,有其独具的特点。在现代文明的流水线上,有无数艺术复制品批量生产,去满足大众不同层面的需求。然而,舞台艺术仍然在萧索的剧场中“每晚逝去,于第二天复活”。这一点也许看来是悲哀的,其实反而是我们最应该引以为自豪的。价值取向和体系的变更所带来的争执、愤怒和不解,使我们正面临“迷失”的危险。
Since the question is put forward, “return” must have something “lost”. Every permanent and immortal art genre - such as performing arts - has the crystallization of avant-garde wisdom and the promotion and innovation of every contemporary artist dedicated to the pursuit of the arts. In such circumstances, the performance art goes into the modern context, and the influence brought by the modern civilization is immeasurable. Performing arts as an ancient art category, has its own unique characteristics. In the pipeline of modern civilization, numerous art reproductions are mass-produced to meet the needs of the general public at different levels. However, stage art is still “dead by night and revived the next day” in the theater of the desolate. This may seem sad, but it is actually the most we should be proud of. Disputes, anger and misunderstandings brought about by changes in values and systems have put us at risk of being “lost.”