王琰的作品摆在眼前,便在我们眼前展开了一种激越的景观。在她的画面上,强烈的色彩在跳跃在奔涌,在表现力极强的驱使下,形成变幻的节奏,触动和刺激着观者的视线,在人们还来不及向画中的图像发出追询的思考之时,作品整体上所拥有的大气与韵律便直接触动着人的心灵,甚至搅动起一种痉挛式的视觉震颤。面对这样的作品,关于主题、题材、内容、形象等等词语的发问都会显得苍白无力。这位画家用的是最直接的艺术 Wang Yan’s work in front of us in front of us started a stirring landscape. In her picture, intense colors are jumping in the rush, driven by a strong expression of force, the formation of a changing rhythm, touch and stimulate the viewer’s attention, in the people too late to issue the image of the picture When thinking, the atmosphere and rhythm of the work as a whole directly touches the human heart and even agitates a spasm-like visual tremor. In the face of such a work, questions about the subject matter, the subject matter, the content, the image, and so forth will appear pale and weak. The artist uses the most direct art