在桂林抗战文化城期间,许多国画家用手中的画笔坚持艺术创作和艺术教育,投身到全民抗战的行列中。他们从理论和实践两方面,在继承与发展传统国画上进行了艰苦的努力,除了创作出许多优秀画作之外,在绘画理论上也作了认真的思考和有益的探索,取得了可以载入史册的重大成就。本文用逻辑与历史相结合的研究方法,并结合当时的社会状况、社会文化环境以及社会审美意识,对活跃在桂林文化城的主要国画家与主要的理论问题进行较深入的分析。 During the Anti-Japanese War Cultural City in Guilin, many Chinese painters insisted on artistic creation and art education with the brush in their hands and devoted themselves to the ranks of the people’s war of resistance against Japan. From both theoretical and practical aspects, they worked hard to inherit and develop traditional Chinese painting. Apart from creating many outstanding paintings, they also made serious pondering and helpful exploration in the theory of painting, History of the major achievements. Based on the research methods of logic and history, combined with the current social conditions, social and cultural environment and the aesthetic awareness of society, this paper analyzes the major painters and major theoretical issues in the cultural city of Guilin.