“为人生而艺术”是切入艺术本质的艺术信念和理想。近百年,不平静的中国画坛,围绕着中与西、艺术与人生的问题纷争不断。今天,不论中国画是要走向世界,还是坚守民族性,艺术家的学养和人格总是艺术的起点,也是艺术的终点。 冯法祀是中国油画界的老一辈画家,他以辛勤的创作逐步实现他“为人生而艺术”的信念,并不断完善着自己的艺术人生。姜宝林和曹建华也以各自的创作,实践着中国画道路上的两种走行方式。姜宝林的中国画力图在笔墨和样式上与时俱进,追求中国画要走向世界的现代感;曹建华的中国画则以“一以贯之”的原则,在中国古典的道路上“照着走与接着走”。当然,走法只是走法,根本还是要看走得好不好,走得远不远。我们始终都在期望,当代还能不断造就“究天人之际,通古今之变”的智慧和胸襟的中国画大师。主持人/赵权利 “Art for Life” is the artistic belief and ideal of cutting into the essence of art. Nearly a century, not calm Chinese painting circles, the dispute between China and the West, art and life issues constantly. Today, regardless of whether Chinese painting is going global or insisting on nationality, the artist’s education and personality are always the starting point of art and the end of art. Feng Fasi is an elder generation of painters in the Chinese oil painting circle. With his hard work, Feng gradually achieved his belief in “art for life” and constantly improved his own artistic life. Jiang Baolin and Cao Jianhua also practice their two ways of walking on the road of Chinese painting with their own creations. Jiang Baolin’s Chinese painting strives to keep pace with the times in both ink and color and pursue the contemporary sense of Chinese painting going to the world. Cao Jianhua’s Chinese painting follows the principle of “one consistentness” and “takes the walk along the Chinese classical path.” Of course, the method of walking is just a method, and it depends on whether it goes well or not. We are always expecting that contemporary can continue to create a master of Chinese painting with the wisdom and mindset of “studying heaven and earth, transforming from ancient to modern times.” Host / Zhao right