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电影《麦田》塑造了一个独具特色的女儿城形象,并将时空穿越到几千年前的战国时代,导演用女性数量上的优势隐藏了男性仍对女性绝对支配的关系,而这种性别关系又与世界政治背景的建构和改变息息相关。本文将从性别政治角度解读电影《麦田》中的性别关系,以及与之对应的政治隐喻。
The film “Wheat Field” shaped a unique image of daughter city and traversed time and space into the Warring States Period thousands of years ago. The director concealed the absolute domination of men by the quantity advantage of women, and this gender The relationship is also closely linked with the construction and change of the world political context. This article will interpret the gender relations in the film “Wheat Field” from the perspective of gender politics and the corresponding political metaphors.