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当人类进入20世纪时,一种崭新的现代主义文艺便逐渐成为西方人精神生活的一部分。第一次世界大战结束前是现代主义文艺的确立时期,涌现出了各种各样的艺术流派和艺术倾向。而在俄罗斯莫斯科的一批年轻人组成的红方块王子画派,则以敏锐的思辨和前卫的艺术方式,进行着现代艺术的探索。虽然历时短暂,但他们的历史功绩却在俄罗斯艺术史上留下了深深的足迹。然而,西方美术史学界和批评界认为,俄罗斯的先锋艺术是西方的仿制品,不具有独立存在的价值和意义。很显然,这个结论的背后,蕴含了一个根深蒂固的“正宗”或“正统”的现代派艺术的成见,它在某种意义上是由于近百年来意识形态上俄罗斯共产主义和西方资本主义两大
When mankind entered the 20th century, a new kind of modernist literature and art gradually became part of the spiritual life of Westerners. Before the end of World War I was the founding period of modernist literature and art, and various artistic schools and artistic tendencies emerged. The Red Square Prince School, a group of young people in Moscow, Russia, explored modern art with keen speculation and avant-garde art. Although ephemeral, their historical achievements have left a deep footprint in Russian art history. However, Western art historians and critics believe that the pioneering art in Russia is a Western imitation and does not have the value and significance of being independent. Obviously, behind this conclusion is the stereotype of a deeply entrenched “orthodox” or “orthodox” modernist art which in a sense is due to the ideology of Russian communism and the West Two major capitalist