在目前古代书画收藏中,宋元之物已经难以谋面,更遑论晋唐了。即使是明代初期的书画,也因实物数量不及明末和清代之物存世量大,其风貌特征往往给收藏鉴赏者带来许多困惑。笔者试图通过馆藏《行书况知府复任苏州赠行倡合诗卷》、《秋江送别诗意图卷》两件集明代正德年间30余位高官名宦墨迹的牛腰大卷的细读、研究、品鉴, In the current collection of ancient calligraphy and painting, the Song and Yuan Dynasties have been difficult to find the object, let alone the Jin and Tang Dynasties. Even the early Ming Dynasty calligraphy and painting, but also because the physical quantity is less than the amount of the late Ming and Qing Dynasty surviving a large amount of its style and characteristics often give collectors a lot of confusion. The author attempts to read through the collections of “The Book of Revival” and “The Book of Farewell to Poetry in Autumn”, a collection of more than 30 pieces of " Tasting,