蒋孔阳先生的“创造美学”理论体系几乎对美学领域中的所有重要问题作了独立而卓有创见的探究,从而形成了自身的完整体系的形态,但是又不断地吸取了古今中外形形色色美学流派的宝贵资源,形成了一个不断与外界进行能量和信息双向交流的开放体系,因而具有着特别强大的生命力。“创造美学”的理论体系称蒋孔阳的美学理论体系为“创造美学”是因为他建构自己美学理论体系的逻辑起点是人 Jiang Kongyang’s “aesthetics of creation” theoretical system has made an independent and brilliant exploration of almost all the important issues in the field of aesthetics, thus forming its own complete system of forms, but constantly drawing on the various schools of aesthetics at all times and in all parts of China With its precious resources, it has formed an open system that continuously exchanges energy and information with the outside world and thus has a particularly strong vitality. The theoretical system of “creating aesthetics” called Jiang Kongyang’s esthetic theory system “creating aesthetics” because the logical starting point of his construction of his aesthetic theory system is that man