《酒神小姐》聚焦于老年性工作者素英的末年生活,并观照韩国底层边缘人物群像,探讨了老年人的孤独与疾病、生与死的社会伦理主题,深刻反映了独身老年人素英及“零钱宋”们的孤寂心理与悲剧人生。作为一部女性主义电影,导演通过展示老年女性性工作者等边缘群体的生活现状,探讨了多重维度下人物形象的游移所产生的伦理迷思以及女性在男权话语社会的悲剧。 “Bacchanalia” focuses on the end-of-life of the aging sex worker Su Ying and looks at the group of people on the margins of South Korea. It explores the social and ethical themes of loneliness and illness, life and death for the elderly, and profoundly reflects Su Yingying And “change the song ” lonely psychology and tragedy life. As a feminist movie, the director explores the ethical myths and the tragedies of women in patriarchal discourse through the demonstration of the current situation of the marginalized groups such as elderly female sex workers.