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明末清初时期,由于政权的更迭加之明朝末年产生的以内府收藏作为“折奉”这一现象,促使大量的皇家藏品流入民间。这其中不乏众多书画珍品,也正因如此,促使这一时期的民间私人书画收藏得到发展,关于书画作品的著录相较前朝内容更加翔实,体例更加多样,数量也较为庞大。编撰人的身份也不仅局限于皇家、文人等,许多酷爱书画的商人也加入其中,吴升就是一位博古通今,雅好书画的古玩商人,而其编撰的《大观录》因内容翔实、体例完备、文采亦为可诵被后世学者所借用。
In the late Ming and early Qing dynasties, due to the change of political power and the phenomenon of the collection within the government in the last years of the Ming Dynasty, the phenomenon of “folding off” caused a large number of royal collections to flow into the private sector. There are many paintings and calligraphic treasures among them. It is precisely for this reason that the collection of private private calligraphy and painting in this period has been developed. The catalog of calligraphic and calligraphic works is more informative, more diversified and more numerous in volume. The identity of the author is not limited to the royal family and the literati. Many businessmen who love painting and calligraphy also join in. Wu Sheng is an antique merchant who is well versed in painting and calligraphy. His compilation of “Grand Records” is informative and well-established , Wen Cai also recite can be borrowed by later scholars.