滑稽戏的剧本创作过程大都采取编剧、导演和演员集体创作的方法。编剧先搞出一个轮廓来,然后,导演和演员在排演和演出的过程中,再不断地丰富和加工。因此,滑稽戏演员在塑造人物形象的同时,还担负着创造、丰富台词和增强人物性格喜剧色彩的任务。通过《满园春色》中“四号”服务员这一人物形象的创造,我又一次经历了滑稽戏演员创作的甘苦。说来很有趣,一个滑稽戏的新剧目在刚 Most of the playwright’s scriptwriting process is based on a collective approach by writers, directors and actors. Screenwriter first come up with a silhouette, and then, the director and actor in rehearsal and performance of the process, and then continue to enrich and processing. Therefore, the comic opera role in shaping the characters at the same time, also assume the task of creating, enriching lines and enhance the character comedy. Through the creation of the image of “No. 4” attendant in “Spring in the Garden”, I once again went through the painstaking efforts of the comic opera creations. Very interesting to say, a comic drama new show in just