论文部分内容阅读
现代摄影技术和数字媒体的发展为世界带来了新的图像化景观,影像获得了突飞猛进的发展。电影是囊括了语言、影像、声音等多种表意元素的复合性视听媒介,对电影中的语言和影像展开研究是思考影像时代语-图关系的重要切入点。无声电影中并不是完全没有语言,字幕文本在无声电影中发挥着连接和指示等作用;有声电影中的对白、旁白等语言文本与影像和声音共同促成了影片整体言说的实现。随着现代声音技术的发展和声音研究的深入,对电影中语言与影像关系的探讨逐渐突破了单一的二元结构模式,将声音作为重要的表意元素纳入电影的意义建构系统中,走向一种声音-语言-影像的诗学。
The development of modern photographic technology and digital media has brought a new image landscape to the world and the video has enjoyed rapid development. Film is a composite audio-visual medium that includes various ideographic elements such as language, video and sound. Studying the language and image in the movie is an important entry point for thinking about the language-picture relationship in the era of video. In the silent movie, there is not a complete lack of language. The subtitle text plays the role of connection and instruction in the silent movie. The speech texts, images, and voices of the dialogue and narration in the sound movie jointly promote the realization of the overall film. With the development of modern sound technology and the deepening of sound research, the discussion of the relationship between language and video in the movie has gradually broken through the single binary structure model, and has taken sound as an important ideographic element in the system of meaning construction of film, Voice - Language - The Poetics of Images.