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我要画一个活生生的中国人的形象,不是假的空的,不是我们概念中一个好看的形象 许宏泉:何先生的工笔画让人耳目一新,跟传统的以及1949年以后带着浓厚年画色彩的工笔画作品都不尽相同,是强烈的生活气息加上浓郁的东方情调。前几天与陈丹青谈到,他们的那个时期,空间还很大,画画的人也没有现在这么多,可能凭一幅画得奖就出名,甚至改变命运。你否也有这样的经历,因为一幅画而影响你的艺术道路?我记得何先生的影响是从《十九秋》开始的,带着《十九秋》出道了!
I want to draw a vivid image of the Chinese people, not a fake empty, not a good-looking image of our concept Xu Hongquan: Mr. Ho’s workmanship refreshing, with the traditional and after 1949 with a strong New Year pictures Paintings are not the same, is a strong atmosphere of life with a rich oriental flavor. A few days ago and Chen Danqing talked about their time, space is still large, people are not drawing so much now, may be rewarded with a picture of painting is famous, and even change their destiny. Do you also have such an experience because one painting affects your artistic path? I remember Mr. Ho’s influence beginning with “Nineteen Autumn” and taking “Nineteen Autumn” debut!