一、日本传统水装置及水音审美从室町时代起,日本的禅文化进入了全面盛行期。到了稍后的安土桃山时代,又以千利休为代表的“空寂茶”之道为最,将日本古典的禅文化推导上一个标志性的顶峰。在这一历史时间段中,除却现在广为人知的诸如能剧、五山禅僧文学、枯山水庭园等深受禅道影响的戏剧、文学、造型艺术以外,在“音乐”方面亦完善了“音禅一味”的审美倾向。而其中最具有代表性的,便是以水声为主素材的声音艺术创作。顺着这段历史再往前推,如果把上古时期平安朝文学中的“物哀”之美看作是日本审美传统一个起点的话,那么经过世代不断地删添、抽取、放大、定位后的日本美学观则更加凸显出了一份“强调感性而削弱理性”的审美惯性。而忠囿于幽玄、空寂、耽美、虚无心境中的“无常”感念也会反过来作用于其所创作的艺术作品上.并且不论是过程还是成果,莫不如此。大约是从千利休于“草庵式茶室”开创“空寂茶道”时起,室町时代之禅的 First, Japan’s traditional water installations and water aesthetics From the Muromachi period, the Japanese Zen culture has entered a period of full popular. To later Azuchi Momoyama era, again represented by Sennheiser “empty silence tea ” of the most, the Japanese classical Zen culture deduced a landmark peak. During this historical period, apart from the drama, literature and plastic arts that are now well-known in the history of Zen, such as Nong Drama, Wushan Zen Monk Literature, Dry Landscape Garden etc, Zen Buddhism also improves the sound quality of music. Zen blindly “aesthetic tendencies. The most representative of which is the sound of water-based material art creation. Going forward along this passage of history, if we consider the beauty of ”sorrow“ in the literature of ancient times to be a starting point for the Japanese aesthetic tradition, then after successive generations of deletion, extraction, amplification and orientation Japanese aesthetic conception further highlights the aesthetic inertia of ”emphasizing sensibility and weakening rationality.“ The loyalty to the secluded mysterious, empty silence, the United States, nihility in the ”impermanence “ perception will also be the role of the works of art on its creation, and whether the process or the result, so much. About a thousand from the break in the ”grass hut style tea room “ to create ”empty tea ceremony " from the time, Zen of the Muromachi era