在京剧表现现代生活的艺术实践中,大家关心并探求的是:如何创造性地运用京剧艺术形式,比较准确地表达革命的思想内容。在这方面我们的经验不多,只能谈谈《六号门》在排演过程中遇到的一些问题以及一些做法,作为同志们研究的参考。生活是艺术创造的源泉。对所要表现的人物不熟悉、不理解,就失掉了创造的依据。在我们中间虽有些同志出身于劳动人民家庭,但是对搬运工人的生活和斗争却缺少直接的体验。为此,我们到“六号门”货场,与工人同志们一起劳动。工人同志们把演好《六号门》当成自己的事。他们特地把放进仓库多年的“地牛”拉出来,让我们更具体地感受解放前工人的沉重负担;还为我们讲述了斗争史、家史,揭露封建把头、国民党反动派对劳动人民的残酷的压榨与迫害。对于搬运工人的生活习惯、爱好、穿着特点……他们也不厌其烦地介绍。此外他们还利用业余时间参加我们的排练。从人物思想 In the artistic practice of showing modern life in Peking Opera, everyone cares about and seeks: How to creatively use the art forms of Peking Opera to express revolutionary ideological contents more accurately. In this respect, we have little experience. We can only talk about some problems encountered in the process of rehearsal of the “No.6 Gate” as well as some practices as a reference for comrades to study. Life is the source of artistic creation. Not familiar with the characters to be performed, do not understand, it lost the basis for the creation. Although some of our comrades came from a working people’s family, they lacked a direct experience of the life and struggle of the porters. To this end, we went to the “No.6 Gate” freight yard and worked with the workers’ comrades. The workers’ comrades regarded the good “door 6” as their own business. They have specially pulled out the “local ox” put into warehouses for many years so that we can feel the heavy burden of workers before the liberation more concretely. We also told us about the history of struggle and family history, exposing the cruelty of feudalism and the Kuomintang reactionaries toward the working people The crushing and persecution. For porters living habits, hobbies, wearing features ... ... they also take the trouble to introduce. In addition, they also use their spare time to participate in our rehearsal. From the character thought