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最近几年,在电视媒体内和社会上一部分人中间,拍摄电视纪录片一度成为了一种时尚,高看它的人视它为“一个电视台总体素质和文化品位的代表”、“是标志性的东西”;关注电视节目市场化和销售业绩的决策人士,看重的则是数量有限的国产纪录片,在国外市场上居然有比中国电视剧好得多的销路和收益;也有人视电视纪录片为西方高度发达的物质文明的产物,认为它在今天的中国,是能够体现文化多元、精神自由的一块亟待开发的沃土。于是,以央视社教中心纪录片部的成立为代表,不少地方电视台都或先或后地成立了自己的纪录片创作室或创作组;体制外的一批年轻
In recent years, television documentaries have become a fashion among high-profile media outlets and part of the community. Those who look after it are regarded as “a representative of the overall quality and cultural taste of a television station,” and are “emblematic Things ”; policy makers concerned about the marketization of television programs and sales performance, is valued a limited number of domestic documentary, in foreign markets, there are actually much better than the Chinese drama sales and benefits; others regard TV documentary as the height of the West Developed product of material civilization that it is in today’s China, is able to embody cultural diversity, spiritual freedom, an urgent need to develop fertile ground. As a result, a lot of local television stations set up their own documentary studios or creative groups, represented by the establishment of the Documentary Department of the CCTV Social Education Center. Many young people outside the system