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艺术是不能有样板的。样板意味着公式化,导演阐述是艺术创作的一部分,也不应该有统一的格式。这是一个逃婚的故事。既然逃婚,当然要表现对于强迫婚姻的批判,但这个主题不重要。鄂伦春族并没有经历封建社会,解放前仍处于原始氏族社会末期。反封建对于鄂伦春没有多大意义。因此,争取爱情权力,只能是一个表层的主题、次要的主题。鄂伦春是我国北方人口很少的狩猎民族。他们保存了一种非常好的风俗习惯:逃婚者在外,只要生了孩子就可以得到人们的谅解和宽恕。
Art can not have a model. Model means that the formulation of the director’s exposition is part of the art, nor should there be a unified format. This is a story of escaped marriage. Since escaped marriages, of course, the criticisms of forced marriages must be reflected, but this topic is unimportant. Oroqen did not experience the feudal society and remained in the primitive clan society until the liberation. Anti-feudalism did not make much sense to Oroqen. Therefore, the fight for love power can only be a superficial theme, a secondary theme. Oroqen is a hunting nation with a small population in northern China. They have preserved a very good customs: people who escaped from the fugitives can get people’s understanding and forgiveness as long as they have children.