众所周知,油画在中国的全面学习与系统引进只有百余年时间。事实上,在中国油画早期的艺术语言探索上,民族特征已经有所展现。在草创之初伴着民族命运的多舛,油画艺术也在不断地被各种思想所影响。自李铁夫之后,徐悲鸿、林风眠、刘海粟等作为影响较大的油画引入者,主导了完全不同的艺术思想与风格流派,可算是当初几种较为主流的表现风格。徐悲鸿坚持现实 As we all know, painting in China’s comprehensive study and system introduction only a hundred years time. In fact, ethnic characteristics have been demonstrated in the early exploration of artistic language in Chinese oil painting. At the beginning of grassroots companionship with the fate of the nation, oil painting art is constantly being influenced by various ideas. Since Li Tiefu, Xu Beihong, Lin Fengmian and Liu Haisu, as the most influential oil painters, have dominated entirely different schools of thought and genre, which can be considered as the more mainstream styles of expression. Xu Beihong adhere to the reality