白伞盖母具有多种化身,对应不同的文本描述,进而可追溯到不同的宗教修行实践。近年来新材料的陆续发现或公布,不断推动着白伞盖信仰的进一步考察。八思巴在《白伞盖母成就陀罗尼念诵法》(1275)中描述了观想千面千手百千俱胝眼、三面六臂、一面二臂共计三种形象,并归结于观修的[广]、中、略。然而诸化身之间并非简单的省略或增生关系:千面者植根于白伞盖经的简单描述,三面者与一面二臂者则别有渊源,前者部分与无能胜母融通,后者则是伞盖的人格化。11-15世纪跨地区、跨人群的文化交流使得佛教艺术呈现出繁荣景象,神系的重构相当普遍且各具特点。不同源头的神灵被聚合到一个名号之下,便是本文总结出的规律之一。 White umbrella cover with a variety of avatars body, corresponding to different text description, which can be traced back to practice different religious practice. In recent years, new materials have been discovered or announced one after another, continue to promote the further investigation of the belief of white umbrella cover. Ba Si Ba described in the “White Umbrella cover mother Dharani recitation Act” (1275) describes the vision of thousands of face thousands of thousands of eyes, three sides and six arms, one arm and two total of three kinds of images, and due to observation The [Canton], in, slightly. However, the various incarnations are not simple omission or hyperplasia: a thousand faces rooted in a simple description of the white umbrella cover, three-sided and one side arms who do not have a source, the former part of the incompetent victory with the mother, the latter Is the personification of the umbrella cover. From the 11th to the 15th century, the cross-regional and cross-population cultural exchange made the Buddhist art show a prosperous situation. The reconstruction of the divinity system is quite common and has its own characteristics. Different sources of the gods are aggregated under a name, is one of the laws summarized in this article.