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近年来,关于戏曲化与现代化问题,讨论得很热烈。我觉得,这是件大好事。既说明戏曲面临新时代、新形势,有很多新问题、新情况摆在面前,需要探讨。也说明戏曲理论研究正在加强,争鸣空气正在活跃。我对这个问题的看法,简单地概括起来就是三句话:一、戏曲化,尚须努力;二、现代化,有待开拓;三、多样化,百花齐放。一、戏曲化,尚须努力戏曲化,这个提法,我记得它好象首先是针对戏曲现代戏提出来的。它要求戏曲现代戏能遵循戏曲艺术的基
In recent years, discussions on dramatization and modernization have been enthusiastic. I think this is a great thing. It shows that drama is facing a new era and new situation, with many new problems and new situations before us and needs to be explored. It also shows that the theory of opera theory is being strengthened, contending that the air is active. My opinion on this issue is simply summed up in three sentences: First, dramatization must still work hard; secondly, modernization requires further exploration; Third, diversification and flourishing. First, dramatization must still strive to dramatization. This formulation, I remember it seems to be the first to come up with the modern opera drama. It requires that opera’s modern drama can follow the basis of opera art