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电影在特定的历史文化语境中承载着相应的意义内涵,尤其是那些关乎重大历史事件的电影作品,总能提供异常丰富的阐释空间。电影并非历史,它的艺术虚构特征和调动大众情感的诉求,都妨碍着它历史叙述的完整性。但是,电影一旦触摸历史,历史观的问题总会悄然而至。俄、德、乌合拍影片《五月的四天》探讨当今世界“二战”题材电影的流变问题。“二战”电影正在成为相关历史论争的国际话语场域,尽管是以记忆和情感的方式进入的,但也不免会引发改写历史的忧虑。对战争双方的理解,必须始终坚守道义的尺度,以此保证战胜国历史的合法性。
The film carries the corresponding meaning and meaning in the specific historical and cultural context, especially the movie works related to major historical events can always provide an exceptionally rich interpretation space. The film is not history, its artistic fictional features and the desire to mobilize popular emotions, hinder the integrity of its historical narrative. However, once the film touches history, the issue of the concept of history will always be quietly coming. Russian, German and Ukrainian Films “Four Days in May May May,” Explore the Changing World of “World War II” Films. “World War II ” movie is becoming the discourse of the international discourse of the related historical controversy, though entered in the way of memory and emotion, but it will inevitably lead to the anxiety of rewriting history. Understanding of both sides of the war must always uphold the standard of morality in order to ensure the legitimacy of the history of the victorious countries.