一直以来,弱女子安提戈涅被视为同名剧中的悲剧人物,鲜有人将该剧中的克瑞翁划入这个范畴。他的固执所造成的一系列灾难性后果使之成为众矢之的,无法得到观众的同情与谅解。对此黑格尔却有着不同的看法,他认为两者都是悲剧人物。这种观点引 Antigone, the weaker woman, has long been regarded as a tragic figure in his eponymous play. Few people include Creon in the play in this category. His stubbornness caused by a series of disastrous consequences make it a target of public criticism, can not get the audience’s sympathy and understanding. Hegel, on the other hand, has a different view. He believes both are tragic figures. This view cited