新时期十年,军事题材电影的确有了突破性的进展。但需要引起我们注意的是,我们军事题材银幕上军事家的形象太少了。这不能不说是一种令人遗憾的欠缺。电影是艺术,从某种角度来说军事指挥也是艺术,两种艺术相结合可能会等于战争题材的影片。注重从军事的角度塑造军事家的形象,应该是值得我们重视的问题。法国影片《拿破仑在奥斯特里茨战役》中的拿破仑、美国影片《巴顿》中的巴顿,苏联影片《第一骑兵军》中的布琼尼,都是做为卓越的军事家形象出现在银幕上,从而震撼观众心灵的。翻开《解放军将帅录》,我们有那么多的元帅和将军,可新时期十年乃至于过去,我们的影片却没有表现或很少表现,既使有也不是做为军事家表现的。如《四渡赤水》写 Decade of the new era, the military theme movie does have a breakthrough. But what needs to be brought to our attention is that there are too few military strategists on the screen of our military subject matter. This can not but be said to be a regrettable deficiency. Cinema is art, and military command is art in some ways. The combination of two kinds of art may equal the film of the war. Focusing on shaping the image of military strategists from a military point of view should be something that deserves our attention. Napoleon in the French film Napoleon at the Battle of Austerlitz, Barton in the American film Patton, and Bujourni in the Soviet Union film First Cavalry were all images of being prominent military strategists On the screen, thus shocking the audience’s mind. Opened “People’s Liberation Army Marshal recorded”, we have so many marshals and generals, the new period of ten years or even in the past, our films did not show or rarely performance, if not nor as a military performance. Such as “Siduchishui” write