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受家庭熏陶,我从小喜欢艺术和文学。1960年中学毕业时,为了既能学到美术又能学到文学,报考了上海戏剧学院舞台美术系。有幸在刚刚留苏回来的导师周本义先生的指导下,练就了较扎实的绘画基本功。同时,因为要接触剧本等大量文学作品,扩展了自己的知识领域,真的是“鱼与熊掌”兼得了。1964年毕业后即遇上了“社教”和“文革”,先后从事过舞台设计、美术创作、美术编辑和美术教育等工作,并曾被下放农村劳动。1978年考取中国艺术研究院首批研究生,从导师王朝闻先生攻读美术理论。导师的言传身教,使我逐渐领悟到治学的真谛。1981年毕业留院美术研究所工作,我即钻进了裸体艺术研究课题。这里就谈谈二十多年来在这个领域劳作的体会和感想吧。
Affected by the family, I grew up in art and literature. When graduating from high school in 1960, in order to learn both art and literature, Shanghai Theater Academy applied to the stage art department. Fortunate enough to stay back in the Soviet mentor, Mr. Zhou Benyi under the guidance of a more solid basic skills of painting. At the same time, because of access to a large number of scripts and other literary works, expanding their knowledge of the field, really “fish and bear’s paw” both. After graduating in 1964, he met with “social education” and “the Cultural Revolution” and successively worked in stage design, art creation, art editing and art education. He was once assigned as a rural labor force. In 1978, he took the first batch of postgraduates from the China Academy of Art, and studied art theory from Mr. Wang Chaowen. Mentor’s precept and example, so that I gradually realized the true meaning of learning. After graduating from the Institute of Fine Arts in 1981, I got into the research topic of nude art. Here to talk about twenty years experience in this field work experience and feelings of it.