拉场戏是二人转界一直关注的问题。关心二人转的朋友们常常写文章谈自己的看法。议论不止,观点不一。我也是对拉场戏有些特殊感情的编导者,因为它太怪了,特别难以被人认识。长期的艺术实践活动,使我在教训中多少悟到些东西,早该和同行们交流,又觉得很肤浅,有待于进一步实践。1983年工作变动,失去了实践的基地,加 Pull the scene is the two people turn the world has been the concern. Concerned duo friends often write articles talk about their own views. More than argument, different views. I am also a director who has some special feelings about the play scene because it is too weird and especially difficult to be known. Long-term artistic practice, so that I learned how much in the lessons of something that should have been communicating with their colleagues, but also feel very superficial, to be further practice. Change of work in 1983, lost the base of practice, plus