比之电影《孔雀》,《立春》没能实现超越,反而出现了艺术滑坡的迹象,电影主人公在内在精神上缺失冷峻理性的智慧力量,不能很好地满足观众的伦理诉求,而且在一些细节处理上也少推敲,使得艺术表现力受到限制。 Than the movie “Peacock”, “Spring” failed to achieve transcendence, but there have been signs of landslide, the film hero in the inner spirit of the absence of cold-headed rational intelligence, can not well meet the audience’s ethical appeal, but also in some details The treatment is also less scrutiny, making artistic expression is limited.