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斯坦尼斯拉夫斯基认为演员创造出的“具有独特性格的人物形象”是从哪里来的?人物的外部形体特征是从哪里来的?斯氏“种子论”中的人物形象的“种子”又是从哪里来的?“种子”到底是来自演员自身内部呢,还是来自外部?对这几个问题的回答以及完成演员创造的途径又是什么?焦菊隐的“心象说”与这些课题又应怎样做比较?
Where does Stanislavski think the characters’ “character images” created by the actors come from? What are the external features of the characters? The character images in the “Seed Theory” “Seed ” in the end come from inside the actor itself, or from the outside? Answer to these questions and to complete the actors to create what is the way? Jiao Juyin Heart like to say "and these issues should be how to do?