20世纪初,新兴木刻运动崛起于中国艺坛,产生一批卓越的艺术家。张漾兮正是其中的一位。他在战争岁月里的艺术作品中,有许多都在诉说着那个年代的不平事。《人市》(见封三)创作于1947年,以强烈的悲剧色彩表现了一个诡异的市场:人市。在古代,人市是出卖劳动力或买卖人口的场所。清代顾炎武曾在《钱粮论》中记载到:“民且相率卖其妻子。至征粮之日,则村民毕出,谓之人市。”时至20世纪中期,这种现象不仅存在,且愈见 At the beginning of the 20th century, emerging woodcut movements emerged in the Chinese art scene, producing a group of outstanding artists. Zhang Yang Xi is one of them. Many of his works of art in the war years are telling the story of that era. “People’s City” (see cover three) was created in 1947, with a strong tragedy showed a strange market: the city. In ancient times, the city was a place for selling labor or buying and selling people. In the Qing Dynasty, Gu Yanwu once recorded in “Money and Food Theory” that: “The people sold their wives at the same rate, and by the time of the requisition of grain, the villagers went out and called the people’s city.” By the mid-20th century, this phenomenon Not only exists, but also more and more