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本文根据一系列图像、文献资料,讨论了从古埃及具有生育神话内涵的西斯铃(Sistrum,通译叉铃),经中世纪佛教法器锡杖的中介,到今日维吾尔民族乐器萨巴依以及其他相关乐器的传承关系。由此,中国民间一系列第一个音节和西斯铃第一个音节有一音之转关系同类摇响乐器(锡杖、萨巴依、斯得尔马克、西萨、洒尺)的历史脉络,比较清楚地显露了出来。从西斯铃到锡杖,从锡杖到萨巴依、斯得尔马克、西萨、洒尺、师刀、太平鼓,沿着这一条线索,我们可以追溯古代埃及对古希腊文明、基督教文明、古印度文明,以及对中国古代文明的深远影响。
Based on a series of images and literature, this article discusses Sistrum (Sylphone) which has the conception of reproduction from ancient Egypt, the intermediary of tin cane in Medieval Buddhism, the Uyghur national instrument Sabai and other related The heritage of musical instruments. As a result, the first syllable of Chinese folk and the first syllable of Sisi-ling have a sound relationship with the history of the same type of swaying instruments (tin rod, Sabah, Sidarmark, Sisa, Sipho) More clearly revealed. From Sisi Ling to tin caddies, from tin cadres to Sabay, Sidarmark, Sisak, sprinkling rulers, division knives and Taiping drums, along this clue, we trace the history of ancient Egypt to ancient Greek civilizations, Christian civilizations, ancient Indian civilization, and far-reaching influence on ancient Chinese civilization.