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近年来,我国影坛上出现了一批才华横溢的中青年女导演,长影厂的肖桂云就是其中的一位。一九六五年,她从北京电影学院导演系毕业后。一九七二年在故事片《战洪图》中任场记,接着在故事片《雁鸣湖畔》中任副导演。三十五岁那年,她和老导演于彦夫合作导演了故事片《希望》。这几年,她的创作热情十分高涨。一九七九年,她独立导演了吉剧舞台艺术片《包公赔情》,第二年又导演了另一部吉剧舞台艺术片《桃李梅》,最近她首次和她的爱人李前宽联合导演了大型军事题材影片《佩剑将军》。她每拍一部影片,都以认真严肃的态度,力求有完整的艺术构思,在自己的艺术道路上留下深深的脚印。这次,她拍《佩剑将军》是她艺术道路上的又一个新起点,取得了令人喜悦的收获。不久前,我有机会见到她,听她讲述拍摄《佩剑将军》的情况和体会,获益非浅。
In recent years, a group of talented young and middle-aged female directors appeared on the film scene in our country. Xiao Guiyun of Chang Ying Factory is one of them. In 1965 she graduated from the director’s department of Beijing Film Academy. In 1972 in the feature film “War Hongtu” any field in mind, then the feature film “Yanming Lake” as deputy director. At the age of 35, she co-directed the feature film “Hope” with the old director Yu Yan-fu. In recent years, her enthusiasm for writing is very high. In 1979, she directed an independent play of “Ji Gong” on the stage art of Ji drama, and directed another stage art film “Peach and plum” on the Ji-drama stage. Later she first co-directed her love with Li Qi-kuan A large military theme film “General Saber.” Every time she makes a film, she takes a serious and serious attitude and strives to have a complete artistic concept, leaving a deep impression on her artistic path. This time she took “General Saber” as another new starting point in her artistic career and achieved a delightful reward. Not long ago, I had the opportunity to meet her and listen to her about the situation and experience of filming General Saber.