两个平凡的孤寡老人,牌桌上的小小风波,一台在形式上并不令人惊奇的演出,却引起北京戏剧界人士的许多思绪。我指的是北京人民艺术剧院最近演出的话剧《洋麻将》。一段时间以来被忽视了的某些舞台艺术的基本道理,在这台演出中重现了生命力。生动而丰富的性格创造于是之扮演的老人魏勒,行走时拄拐杖,左腿内八字,患摇头症,激动时脸部抽搐,左撇子,写字时手哆嗦,他努力挺直身子以保持往昔的风度,这是一个在社会“大牌桌”上输得精光,在小牌桌上仍要与“命运”搏斗的老人。 Two ordinary widowed old people, a small storm on the poker table, and a form that was not surprising at the show caused many thoughts from people in Beijing’s theater industry. I am referring to the drama “Ocean Mahjong” recently performed by the Beijing People’s Art Theater. Some of the basic principles of stage art, which have been neglected for some time, have reproduced vitality in this performance. Vivid and rich character to create the so-called old people Weier, walking crutches, left leg inside the character, with shaking his head, when excited facial twitching, left-handed, writing shivering, he tried to straighten the body to maintain the past Demeanor, an elderly person who has lost the “big table” in society and still has to fight “destiny” on the small table.