《中国花卉盆景》今年第2期刊登了一组张天祥的作品,其中一幅《天趣》由张春凯作了一番赏评。现把我的一点肤浅看法写出,当否请指正。我们知道,比例失调乃盆景制作之大忌,以往的盆景作品中虽然也或多或少存在,但该作品的比例失调状况可以说已发展到极致。观看作品中山石的造型与摆件的布局,山中有古塔,山顶上有古亭,山脚下有屋舍,浑然是一座大山形象。然而,再看山上的一棵大树怎么能将整座大山都覆盖了呢?世上有如此之大的树木? 这种树大山小的造型组合违背了大自然的规律。我认为“天趣”完全是三尊摆件惹的祸。如果将其全部拿掉,整块山石可以理解为山体的一角(局部), “China Flower Bonsai” published a set of Zhang Tianxiang’s works in the second issue of this year. Among them, one of the “Days Fun” was rewarded by Zhang Chunkai. Now I write a little superficial viewpoints, please correct me. We know that the imbalance is the taboo of bonsai production, although the past bonsai works are more or less there, but the work of the imbalance can be said that the situation has grown to the extreme. Watch works Zhongshan style and layout of the ornaments, there are ancient towers in the mountains, there is a kiosk on the top of the hill, there are houses at the foot of the mountain, is definitely a mountain image. However, seeing how a big tree in the mountains can cover the entire mountain? There are so many trees in the world. The small shape combination of this tree violates the laws of nature. I think the “God” is entirely the cause of the three ornaments mess. If you take it all away, the whole piece of rock can be understood as the corner of the mountain (partial)