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随着商品经济的日趋活跃和个体经济的发展,以个体户为主人公的戏也多起来了。这些作品或写他们的艰苦创业,或写他们爱情的失意,或沉沦,或发迹……凡此种种几乎成了这些年同类题材创作的模式。最近辽宁人艺赴京演出了七场话剧《富有的女人》,剧中女主人公何凤英的形象塑造却跳出了上述模式,给人难得的新意。作为农村果园个体承包户,作者并没有正面表现她在果园承包中的经营过程,而是站在时代和历史的
With the increasingly active commodity economy and the development of individual economy, there are more and more plays featuring self-employed individuals. These works either write about their arduous pioneering work, or write about the frustration, or sink, or fortune of their love ... all of which have almost become models for the creation of similar themes of these years. Recently, Liaoning folk art went to Beijing to perform seven drama “The Rich Woman”. The image of the heroine He Fengying in the play has just jumped out of the above model, giving a rare new idea. As an individual contractor in a rural orchard, the author did not positively demonstrate her business process in orchard contracting, but stood in the era and history