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1986年10月1日,在武汉汉阳公园举办的中国盆景艺术地方风格作品展览会上,湖北馆中,由宜昌地区花卉盆景协会常务理事、盆景艺术研究组组长夏著华同志为主制作的一盆组合式盆景《何愁前途无知音》(见上图),倍受观众青睐。在一个长1.5米、宽40厘米、深3厘米的白水泥条盆中,作者以鄂西大自然为师,借景抒怀。盆的一端,用一本双干、苍老古朴、遒劲有力的(?)木,矗立于蟒蟒苍苍的山野之巅,下衬以平枝枸枝和玲珑剔透的怪石,组成了作品的主景,山势逶迤、绵延转折。另一端则形断迹连,一丘突起,用几株柞木、冬青、平枝枸枝组
October 1, 1986, held in Wuhan Hanyang Park Chinese bonsai art local style exhibitions, Hubei Museum, Yichang Flower Bonsai Association executive director, chief of Bonsai Art Research Team Comrade Xia Zhuang mainly produced A combination of potted bonsai, “worry about the future ignorance” (see above), much viewers favor. In a white cement basin 1.5 meters long, 40 centimeters wide and 3 centimeters deep, the author uses the nature of western Hubei Province as a teacher and expresses his feelings through the scenery. The end of the pot, with a double dry, old simple, powerful (?) Wood, stands in the top of the python python mountain, lined with branches and branches and exquisitely carved stone, composed the main view of the work , The mountains 逶 迤, turning point. The other end is shaped trace even, a hill protruding, with a few strains of oak, holly, flat branches Gu Zhizhi