每看张艺谋的一部影片,都会有令人惊喜的新发现。张艺谋绝不照搬前人,也不愿重复自己,他的每部影片,都有“这一部”独特风格,而且他喜欢把这种风格加以渲染夸张,并推向极致。《红高粱》中所展示的原始粗犷之美,《秋菊打官司》的真实朴素之美,《大红灯笼高高挂》的精雕细刻之美,都使观众难以忘怀。《秋菊打官司》在某些人的眼中“简直就是一部纪录片,没啥看头”。但就是有那么一部分观众,却对此兴致盎然,为什么?还不是冲着那土得不能再土的风格来的;土的人物,土的语言,土的景观,一切都传递着浓浓的土气。观众仿佛不 Every time you see Zhang Yimou’s film, there will be a surprising new discovery. Zhang Yimou will never copy his predecessors and will not repeat himself. Each of his films has a unique style of “this one,” and he likes to exaggerate this style and push it to the extreme. The original rugged beauty shown in “Red Sorghum”, the beauty of the real simplicity of “Qiu Ju” and the carved beauty of the “Red Lantern” all make the audience unforgettable. “Qiuju litigation” in the eyes of some people “is simply a documentary, nothing worth seeing.” But there is a part of the audience, but it is full of vitality, why? Not directed at the soil can no longer come in the style of earth; soil characters, soil language, landscape, all pass deep rustic . The audience seems to not