秦腔的彩腔,是与作为基本板式的本腔相对而言的。每当剧中人物感情发展到一定高潮,或者有特殊意境的需要而用本腔又难以更充分地表述时,总是用彩腔来应功。彩腔是浓化、美化秦腔唱腔的重要手段,是编织、镶嵌在板式唱词中或依附在语词上的一种非常别致而富有情趣的拖腔艺术。山两梆子称为“腔儿”,蒲剧称为“花花腔”,同州梆子、阿宫、秦腔等均称为“彩腔”。这种腔必须用假声来演唱,所以有的剧种称为“小嗓”、“假嗓”或“边音”,也有称为“冒调”的,一般人则称为“拉二音”或“二音子”。 The color cavity of Qin cavity is relative to the cavity as the basic plate type. Whenever the characters in the play develop into a certain climax, or have special artistic conceptions, it is difficult to express them more fully and they always use the colorful cavities to do their work. The color cavity is an important means of enriching and beautifying the singing chamber of the Qin chamber. It is a very chic and interesting drag chamber art that weaves and mounts in a plate style or attaches to words. Mountain two princes called “cavity children”, Po drama called “flower flower chamber”, the same state prickly heat, A palace, Qin chamber are called “color chamber.” Some of these operas are called “small throat,” “fake throat,” or “rimmed.” They are also known as “flirtatious.” Most people call it “pull two” or “Second son.”