赵梅生先生在力图保持水墨和宣纸的特性时.大胆摒弃传统中国画的某些制约程式,如“作画不宜对称”、“不宜平行”、“不宜反复”、“墨不碍色,色不碍墨”等,而有意结合西方水彩与中国水墨相似之处在形式、构图上采纳西画之长处,尽可能不落传统水墨写法惯用的俗套之中,在创作中充分发挥水墨的抒写性和创意性。 In trying to maintain the characteristics of ink and rice paper, Mr. Zhao Meisheng boldly abandoned some of the traditional Chinese painting’s control programs, such as “painting should not be symmetrical”, “not parallel”, “not repeated”, “ink” Hinder the color, the color does not impede ink ", etc., and intends to combine Western watercolor and Chinese ink similarities in the form, the composition of the West to adopt the strengths of the adoption, as far as possible not fall into the traditional formula of traditional ink and wash writing, give full play to the creation Ink writing and creativity.