雕塑专业的基础教学,应侧重于对形体的研究。一粒米,一棵树,一张纸,一座山峰,一棵小草……,无论对象大、小、薄、厚都各自有着自己的形体,占据着自己的空间,基于这一观察与思考的特性表明雕塑的本质就是靠形体说话。领悟这些不同凡响的形体变化会极大丰富我们的表现手段,使得我们的作品充满活力。素描作为二维的表现形式在雕塑专业的基础课中应突出自己的专业特性,并将其列为训练三维理解能力的重要内容加以重视。在此我们可以从米开朗基罗素描中奔放犀利的线条便会有所感受。他的大量素描 The basic teaching of sculpture should focus on the study of form. A grain of rice, a tree, a piece of paper, a mountain, a grass ... no matter large, small, thin, thick each have their own shape, occupy their own space, based on this observation and reflection The nature of the sculpture shows that the essence of the sculpture is body shape. Understanding these extraordinary physical changes will greatly enrich our means of expression, making our work full of vitality. As a two-dimensional manifestation, sketch should emphasize its professional characteristics in the basic course of sculpture major and attach importance to it as an important content for training three-dimensional comprehension. Here we can feel the bold lines bold from Michelangelo’s sketch. He has a lot of sketches