读兰珊的两篇文章,会让人强烈感受到作者有着诗的敏锐感觉和诗人飘逸的灵魂。当然,作品的行文方式是散文式的,无论是“思维碎片”还是“走过生命”都是重语义,描述的是人与人、人与社会、人与世界的关系,感受爱的抚慰、生命高尚的快乐、灵魂的震撼与净化,生命的再生以及对诗意生存的呼唤,而所有这些,都和作者自己的感受交融于一体,让人领略“天地人神”四重圆舞的境界。 Reading Lan Shan’s two articles will make one feel strongly that the author has a keen sense of poetry and a poetic soul. Of course, the writing style of the works is prose style. Whether it is “thinking debris” or “walking through life” is emphasis on semantics. It describes the relationship between people and people, people and society, people and the world, and feels the comfort of love. The noble happiness of life, the shock and purification of the soul, the regeneration of life, and the call for poetic survival, all of which blend in with the author’s own feelings, allowing one to experience the realm of the “Heaven, Earth, and God” quadruple round dance.