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本文重点从文徵明以儒为主的处世思想展开,分别介绍其书法及绘画的审美观,体现出书画同源的美学思想。
This article focuses on Wen Zheng-ming’s Confucianism-based thoughts on life, introducing their aesthetic concepts of calligraphy and painting respectively, and reflecting the same aesthetic ideas of painting and calligraphy.