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在今日时装流行之际,各种表述时髦美的文章频频问世,以为服装就是一门时髦艺术,这些论述多少延误了人们对服装作广阔的、本源的理解。事实上,十四世纪以后,随着城市经济的形成和发展,时髦作为控制性因素逐步发展为导致世界流行并能迅速反映当时社会审美心理和节奏的时装。但这不能代替具有广阔历史内容、民族特色、世代相袭而又相对独立的服装。前者的出现有赖于后者。后者是基础,属庞大复杂、横向联系的服装文化。探本溯源,基本脉络可分为以下诸方面:A.服装为保护。B.服装与传统。C.服装与地位。D.服装与宗教仪式。E.服装的装饰意念。上述几方面是服装艺术的真正资质,在整个服装演变中起着十分重要的作用。
In fashion today, all kinds of fashionable and beautiful articles are published frequently, thinking that apparel is a fashionable art, and how much these comments delay people’s broad understanding of origin and costume. In fact, after the fourteenth century, with the formation and development of urban economy, fashion as a controlling factor gradually developed into a fashion that led the world to prevail and quickly reflected the aesthetic psychology and rhythm of society at that time. However, this can not replace clothing that has a vast historical content, ethnic characteristics, and is relatively independent from generation to generation. The former depends on the latter. The latter is based on a huge complex, horizontal relationship between the clothing culture. Exploration of the origin, the basic context can be divided into the following areas: A. Clothing for the protection. B. Clothing and traditions. C. clothing and status. D. Costumes and religious ceremonies. E. clothing decorative ideas. The above aspects are the true qualities of the art of apparel and play a very important role in the evolution of the entire garment.